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From: "Mark" <[email-masked]>
Date: Tue, 28 Aug 2007 05:29:22 +0900

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And eventually they conquered it. They find that one important
factor is the perspective people take when they revisit the scene — whether
in the first person, or in the third person, as if they were watching
themselves in a movie. Taken together, these findings suggest a kind of give
and take between life stories and individual memories, between the larger
screenplay and the individual scenes. The way people replay and recast
memories, day by day, deepens and reshapes their larger life story. But
there is nonetheless a feeling of finality about “Shrek the Third,” a sense
that the tale has at last reached a state of completion.

After exploring the predominance of violence in American culture in Bowling
for Columbine and taking a critical look at the September 11th attacks in
Fahrenheit 9/11, activist filmmaker Michael Moore turns his attentions
towards the topic of health care in the United States in this documentary
that weighs the plight of the uninsured against the record profits of the
pharmaceutical industry. Raimi as it has Peter Parker, but it seems as if it
has zapped his gracious good humor, which was so critical to the first two
films. But although Ice Cube's business sense is right on the money, the
minor surprises of the first film are gone. nusscoco
nocalsch-archive888megatron.ietf.orgmo Ice Cube returns as star and
executive producer of "Barbershop 2." His Calvin Palmer provides the common
sense that holds the shop together, a glue it desperately needs.

With the decline of manufacturing and few formal jobs, many residents make
a meager living off one another’s misery. For all I know, there may be an
endless supply of “Shrek” sequels in the pipeline. That DreamWorks ogre’s
skin is the color of money after all. Idriss Abdoulaye sells water from a
pushcart for 20 naira a jerry can, about 15 cents, to people like himself,
too poor to have wells. The current installment finds him faced with
impending fatherhood and something of a career crisis.

(Ready or not, the studio is talking about a fourth.) Aesthetically and
conceptually wrung out, fizzled rather than fizzy, this latest installment
in the spider-bites-boy adventure story shoots high, swings low and every so
often hits the sweet spot, but mostly just plods and plods along, as if its
heart were pumping tired radioactive blood. This film seems to be "All About
the Benjamins," to use the title of an Ice Cube action comedy.

But although Ice Cube's business sense is right on the money, the minor
surprises of the first film are gone. The prowling camera and dusky colors
give much of “Zoo,” which opens with the portentous image of what appear to
be miners emerging from a tunnel, a sumptuous, almost velvety look and vibe,
an effect enhanced by the repeated use of slow-motion photography. Venture
capitalist: that’s the misleading job description preferred by the title
character of the slight and silly “Wendell Baker Story.” Wendell (Luke
Wilson), a cheerful Texan slacker, runs a profitable operation on the
Tex-Mex border selling fake driver’s licenses to illegal migrant workers.
This shambling, good-natured comedy is a Wilson family affair. For my taste,
a little goes a long way. Smirks are to be had, but no belly laughs. They
have largely ignored the first-person explanation — the life story that
people themselves tell about who they are, and why.

board gets something entirely different. Researchers have found that the
human brain has a natural affinity for narrative construction. “Younger kids
see themselves in terms of broad, stable traits: ‘I like baseball but not
soccer,’ ” said Kate McLean, a psychologist at the University of Toronto in
Mississauga.

During a standard life-story interview, people describe phases of their
lives as if they were outlining chapters, from the sandlot years through
adolescence and middle age. The entire two-hour session is recorded and
transcribed.

The wedding party was wonderful until the best man collapsed from drink.
They were laid low by divorce, only to meet a wonderful new partner. — they
draw on these stories implicitly, whether they know they are working from
them or not,” Dr.McAdams said. Any life story is by definition a
retrospective reconstruction, at least in part an outgrowth of native
temperament. He said he worries they will end up as poor, illiterate traders
like him. The current installment finds him faced with impending fatherhood
and something of a career crisis. If ever a movie had a case of the blues
and the blahs, it’s “Spider-Man 3,” the third and what feels like the end of
Sam Raimi’s big-screen comic-book adaptations.

A movie featuring Ice Cube bellowing "No more profanity. But although Ice
Cube's business sense is right on the money, the minor surprises of the
first film are gone. The prowling camera and dusky colors give much of
“Zoo,” which opens with the portentous image of what appear to be miners
emerging from a tunnel, a sumptuous, almost velvety look and vibe, an effect
enhanced by the repeated use of slow-motion photography.

Big Momma's House gained considerable pre-production publicity when
Lawrence fell into a coma while jogging in a heat wave before the film's
start date; Lawrence claimed that he was trying to lose weight to fit more
comfortably into his character's "fat suit." Venture capitalist: that’s the
misleading job description preferred by the title character of the slight
and silly “Wendell Baker Story.” Wendell (Luke Wilson), a cheerful Texan
slacker, runs a profitable operation on the Tex-Mex border selling fake
driver’s licenses to illegal migrant workers.

In the first movie Shrek (voiced by Mike Myers) met and wooed his lady
love, Fiona (Cameron Diaz); in the second he got to know the in-laws. (Ready
or not, the studio is talking about a fourth.) Aesthetically and
conceptually wrung out, fizzled rather than fizzy, this latest installment
in the spider-bites-boy adventure story shoots high, swings low and every so
often hits the sweet spot, but mostly just plods and plods along, as if its
heart were pumping tired radioactive blood. Most of the decisions involving
this sequel to the spirited original "Barbershop" — a movie that itself
cobbled together pieces of other projects — are about carefully retracing
the steps of that 2002 hit in order to keep those $100 Benjamins flowing.
When the moneyed inner-city entrepreneur Quentin Leroux (Harry Lennix)
builds a lavish competitor called Nappy Cutz right across the street from
Calvin's shop, the battle is on — Calvin has to fight to keep his business
alive. The cinematographer, Sean Kirby, has done some striking work here.
Characters don’t just walk in this film; they float across the frame,
pouring like liquid toward their inexorable destinies. In this comedy, a cop
assumes a new identity in his valiant battle against crime: an elderly
grandmother.

Big Momma's House gained considerable pre-production publicity when
Lawrence fell into a coma while jogging in a heat wave before the film's
start date; Lawrence claimed that he was trying to lose weight to fit more
comfortably into his character's "fat suit." Wendell, who works with a
partner, Reyes (Jacob Vargas), out of an Airstream trailer he calls the
Ellis Island of the Southwest, means no harm. A Panglossian eternal teenager
at heart, he is madly in love with his girlfriend, Doreen (Eva Mendes).

This shambling, good-natured comedy is a Wilson family affair. For my
taste, a little goes a long way.

Yet in the past decade or so a handful of psychologists have argued that
the quicksilver elements of personal narrative belong in any
three-dimensional picture of personality. By better understanding how life
stories are built, this work suggests, people may be able to alter their own
narrative, in small ways and perhaps large ones. “Younger kids see
themselves in terms of broad, stable traits: ‘I like baseball but not
soccer,’ ” said Kate McLean, a psychologist at the University of Toronto in
Mississauga. They also describe several crucial scenes in detail, including
high points (the graduation speech, complete with verbal drum roll); low
points (the college nervous breakdown, complete with the list of witnesses);
and turning points. The entire two-hour session is recorded and transcribed.
The pride of college graduation is spoiled when a friend makes a cutting
remark. In broad outline, the researchers report, such tales express
distinctly American cultural narratives, of emancipation or atonement, of
Horatio Alger advancement, of epiphany and second chances.

— they draw on these stories implicitly, whether they know they are
working from them or not,” Dr.McAdams said. Yet Mr.Adler found that in fact
those former patients who scored highest on measures of well-being — who had
recovered, by standard measures — told very similar tales about their
experiences. To them, therapy was part of a continuing adaptation, not a
decisive battle.

The findings suggest that psychotherapy, when it is effective, gives people
who are feeling helpless a sense of their own power, in effect altering
their life story even as they work to disarm their own demons, Mr.Adler
said. Instead they go to a Koranic school, where they learn the Koran by
rote.